163 points bschne 2 hours ago 46 comments
vessenes 1 hour ago | parent
yendor44 1 hour ago | parent
dyauspitr 1 hour ago | parent
Oarch 1 hour ago | parent
1. Loads of pent up historic demand 2. Work is complex, sensitive and physical. 3. There's more history every day!
ramesh31 1 hour ago | parent
The church historically absorbed excess males in this way and gave them a dignified purpose in life, it's not a crazy thought at all.
Maken 56 minutes ago | parent
ramesh31 41 minutes ago | parent
That was often a consequence, but in general it provided an alternative pathway to male success in life and a means of advancing through a respected status hierarchy that did not depend on the traditional markers. Something sorely lacking today, when even outside the question of inheritance you are faced with the near impossibility of achieving the economically independent and socially valuable life that your grandfather or father had by simply working.
bluGill 18 minutes ago | parent
Those that don't most often have decided to set an unrealistic definition of economically independent and socially valuable life. Their grandfathers never had it that definition, but they somehow think their grandfathers never struggled and otherwise had it a lot easier than their grandfathers really did.
there is a second group that has decided it is impossible, and thus refuse to try.
Don't get me wrong, bad luck happens to everybody. Most don't get luck so bad they can't recover though. Some get worse luck than others.
In general set reasonable goals and you can achieve them.
jacquesm 46 minutes ago | parent
nrh 1 hour ago | parent
idbnstra 1 hour ago | parent
smstl 1 hour ago | parent
shellfishgene 1 hour ago | parent
opengrass 1 hour ago | parent
roughly 1 hour ago | parent
A gothic cathedral is both an incredible work of art and also the work of hundreds or thousands of hands over decades and centuries - you are looking not just at the final product, but at the love and commitment it took to make that work of art, the long-term dedication and belief that it should exist even if we don’t live to see it exist. You’re looking at an expression of love not just for God and for art and beauty, but for future generations and people we’ll never know. The time and effort isn’t an unfortunate part of the process, it’s intrinsic to what we feel when we witness the cathedral - a connection to others, reaching both ways.
I understand why the monks have developed this technique, and I don’t disagree with them - the act of building a gothic cathedral is outside the capacity of modern society. I’ll never begrudge someone a hack to preserve some beauty in this machine we’ve created. But I can’t help but feel like they’ve created a facsimile of a cathedral - they’ve created the palace at Disneyland, not Notre Dame.
tantalor 1 hour ago | parent
roughly 10 minutes ago | parent
zehaeva 1 hour ago | parent
bluGill 24 minutes ago | parent
venzaspa 58 minutes ago | parent
If we want to protect historic buildings for generations to enjoy then we're going to need to be more pragmatic.
bluGill 31 minutes ago | parent
I have come to the conclusion that if it is worth protecting you can see it in tourist numbers - people who go out of their way to look at something.
roughly 12 minutes ago | parent
whatthejesus 57 minutes ago | parent
Perhaps a few dead bodies and a couple hundred years of recitations will do the trick?
Put another way, if monks in the year 1k had a CNC router like this, they wouldn’t have peasants take 50 years to arrive at their expression to God.
It’s the architecture and the design that reflects the Lord almighty. The peasants doing it are a means to an end: so the church stands tall, so they can massacre the non-believers, burn witches, infidels, and imprison astronomers. All in the comfort of a beautiful cathedral.
roughly 13 minutes ago | parent
And, to your point, yes, if the monks followed the construction with a hundred years of prayer and sacrifice to consecrate the building, indeed the building would carry a more powerful emotional resonance than it does now. The sacrifice is the point, the effort is the point. It’s an act of devotion, not just one of construction.
throwaway219450 57 minutes ago | parent
You could at least compare to Notre Dame. It’s a bit tone deaf to draw comparison to Versailles, which was a vanity project to glorify the French monarchy.
roughly 15 minutes ago | parent
weirdish 1 hour ago | parent
toddmorey 59 minutes ago | parent
_Microft 48 minutes ago | parent
bluGill 41 minutes ago | parent
I have a rule of thumb that seems to hold: until you get to about 3500 sq feet in a house people will choose larger over decorations where possible. Larger than that and you don't want to clean the house yourself (that is unless your wealth supports regular professional cleaning you won't go much larger). Of course as a rule of thumb it isn't a hard rule, some people want more space, others can live with less. As houses get larger people are willing for more decoration cost.
For apartments it is worse - renters rarely will pay extra to live in a nice building.
nnnnico 24 minutes ago | parent
lo_zamoyski 14 minutes ago | parent
This just sounds like some whiggish defense of modernism.
wolframhempel 1 hour ago | parent
As far back as ancient Egypt, grids and measuring tools were used to reproduce figures at different scales. Roman workshops churned out copies of Greek statues in marble and bronze, using casts and moulds. From the 18th century onwards, sculptors used outright pointing machines to transfer models into marble. James Watt, the steam engine guy, even built a mechanical sculpture-copying machine that could (somewhat) automatically reproduce reliefs and medallions.
Gothic architectural decoration wasn't about expressing the inner world of its makers in the way we think of art today. Much of it was produced by large masonry workshops using standardized geometry, wooden templates and repeated designs.
So, yeah, using a CNC machine is truly Gothic.
RobotToaster 58 minutes ago | parent
taion 31 minutes ago | parent
That said, actual Gothic sculpture and decoration fell into that gap when pointing was lost. And the frankly lower quality of most medieval sculpture more or less reflects that. And anyway, nothing wrong with neo-Gothic.
radiorental 13 minutes ago | parent
However there is the concept of 'the resistance of the material' where the act of working with the material with bare hands and simple tools is a meditative process. Something I would have thought applicable to the contemplative and monastical life of a monk.
There's a fascinating article from BBC 4 on the topic https://www.bbc.co.uk/programmes/m0000xqt
kvjbj 58 minutes ago | parent
ajw287 48 minutes ago | parent
pixl97 40 minutes ago | parent
ricardobeat 38 minutes ago | parent
SoMomentary 17 minutes ago | parent
ricardobeat 42 minutes ago | parent